Every photograph is printed to order in one of two museum-quality formats. Here’s how they differ, so you can choose the right one for your space.
| Paper print | Metal print | |
|---|---|---|
| Process | Archival pigment giclée | Dye-sublimation on coated aluminum |
| Surface | Moab Lasal fine art matte paper | Glossy, luminous finish |
| Display | Frame it your way (frame not included) | Frameless, on a 1″ EcoFloat mount, ready to hang |
| Best for | Classic, gallery-style framing | Modern spaces, kitchens, bathrooms, humid rooms |
| Starting price | From | From |
David’s paper prints are giclée prints, from the French gicler, “to spray.” Ultra-fine droplets of archival pigment ink, up to 12 colors, are sprayed onto fine art paper for exceptional detail, accurate color and smooth tonal transitions.
Every paper print is made on Moab Lasal fine art matte paper, chosen for its rich blacks, natural texture and glare-free surface. Paired with lightfast pigment inks, it gives an archival print that resists fading for generations when displayed away from direct sunlight.
Each print is overseen from color profiling to final inspection, so it stays true to the original image.
Metal prints are vivid, dimensional and almost luminous. The image is dye-infused into a clear polymer coating on treated aluminum. Light passes through the colors, reflects off the white base and returns through the image, giving remarkable depth.
No mat, glass or frame needed. A hidden 1″ EcoFloat mount floats the print off the wall.
Handle with care, especially the edges, and your print will last for decades.
Each photograph is offered in the sizes that suit it best, and each photo page shows exactly which sizes are available. Certain prints may require minor image cropping to fit the print size selected. A digital proof will be sent to you for your review and approval.
Need something larger or non-standard? Contact David about custom prints.
